Culture

My Archival Adventure as an Academic Researcher across the Atlantic

When I began my PhD in January 2013, I knew that a significant part of my research requires archival materials that are mostly based in the USA, in particular the renowned Beinecke Rare Book and Manuscript Library at Yale University. I will not lie; the opportunity to do archival work in the States and at Yale University was not only exciting and inspiring but also unbelievably unreal.

Review of Protestantism and the Superpowers: Mission, Spirituality, and Prayer in the USA and USSR

Dr Mark Hurst gives a comprehensive review of the ‘Protestantism and the Superpowers: Mission, Spirituality, and Prayer in the USA and USSR’ workshop, held at the University of Leicester.

From Harlem to Texas: African American Art and the Murals of Aaron Douglas

Aaron Douglas paved the way for a greater appreciation of the black arts in many ways. He responded to the call of philosopher/author Alain Locke who advocated that visual artists look to Africa for inspiration. Douglas did this but in his own particular style. He is credited with marrying African themes to a modernist aesthetic combining Art Deco’s geometric sensibility with Cubism and Orphism, and humanism with Christianity. Though he taught at Fisk University from 1937 until he retired in 1966, Douglas is considered by many the “father” of the Harlem Renaissance.

Fear and Motels in Las Vegas: Segregation and Celebrity on the Strip

Las Vegas was so strict in its segregation policies that it was known as the “Mississippi of the West.”[i] It was, after all, a town built on tourism and to allow blacks in was to affront white tourists from strictly segregated regions. This post looks at the ways that three well-known black entertainers challenged the segregation policies of big hotel casinos in 1950s Las Vegas. Harry Belafonte, Lena Horne and Nat King Cole each won the right for themselves and their musicians to become guests of the establishments. At the same time, the post asks whether the triumphs of these celebrities can be regarded as true civil rights victories, or whether they are simply indicators of individual star status.

Not just Yo’ Mama but Rap’s Mama: The Dozens, African American Culture and the Origins of Battle Rap

The most famous Dozens recording is the 1938 recording performed by Ferdinand Joseph LaMothe, known professionally as Jelly Roll Morton, the self-proclaimed inventor of Jazz music. This concept of taking an African-American oral tradition and putting it to music is a time honored tradition that continues until this very day. The utilization of rhyming mechanisms and swift off the cuff lyrics needed during bouts of The Dozens was easily transferred into the linguistic styles utilized by MC’s during rap battles in the early days of the Hip-Hop era. This makes it clear then that The Dozens, as Elijah Wald writes, is “Rap’s Mama”.

60 Second Roundup: BAAS Executive Advice for ECRs

Over the last few weeks we have published a series of 60 Second interviews with the BAAS Executive Committee. They gave such brilliant answers that we decided to collect their advice for ECRs in one place.

Review of Culture and the Canada-U.S. Border 2014 Conference

Convening on a sun-drenched weekend amid the wonderful surroundings of University Park Campus, the third Culture and the Canada-U.S. Border conference met to discuss the broad theme of ‘Cultural Crossings’, interrogating production, consumption, and reception across the 49th parallel; that real-and-imagined international boundary that lies between the United States and Canada.

Review of American Imperialism and Identity Conference

American Imperialism and National Identity Conference, University of Durham 14 June 2014   With Iraq in turmoil and U.S. military involvement in the Middle East once again in the spotlight, the timing of the ‘American Imperialism and National Identity Conference’ on the 14th of June at St. Aidan’s College, University of Durham, could not have been more prescient. This interdisciplinary conference for postgraduates and early career researchers appropriately brought together an international array of academics to present their research on a wide variety of topics pertaining to U.S. imperialism. The conference was opened with a whirlwind welcome by Philip Gannon (Durham University). Perhaps this was a little too brief, as a more detailed introduction would have counteracted the disparate nature of the conference, and established a focal point for discussion to return to. The first panel of the day – ‘9/11 and U.S. Imperialism’ – was kicked off by Dr. Flavio Sanza […]

60 Seconds With Joe Street

What has been your most memorable career moment so far?

“After I gave my first paper at the Southern Historical Association when I was writing up my PhD thesis, two people came up and said some very, very kind things about it: the SNCC activist Cleveland Sellers and the great historian John Dittmer. I felt about ten feet tall at that moment.”

60 Seconds With Zalfa Feghali

What advice would you give to early career academics?

“Unfortunately, ECR is often understood to be shorthand for unemployed academic. That’s (obviously) rubbish and can be really reductive, since it divides ECRs up rather than focuses on what common experiences they might have. What ECR actually means is that you’re way more energetic and enthusiastic than many academics you’ll encounter (that will sometimes include other ECRs).”