This article is part of the USSO special series Resilience/Renewal: Shifting Landscapes in American Studies The popularity of the Western as a genre solidified the frontier mythology as one of the building myths of the American nation and its cultural iconography. However, the Western carries sinister implications in its ‘good… Continue reading
This article is part of the USSO special series Resilience/Renewal: Shifting Landscapes in American Studies Visiting People’s Park in Berkeley, California, for the first time, as I did in September of last year, is a visually arresting experience. As I walked through the park’s entrance on Dwight Way, just south… Continue reading
In September 2022, journalist Meg Walters lambasted the growing ‘quirky aesthetic’ of the recent online trend ‘Meg Ryan Fall’: TikToks and Tweets which seasonally recreate the fashions and dialogue of Nora Ephron’s When Harry Met Sally (1989), Sleepless in Seattle (1993) and You’ve Got Mail (1998).[i] [ii] [iii] [iv] For… Continue reading
This article is adapted from a presentation given at the London Arts and Humanities Partnership postgraduate conference, 21st January 2022 During the Harlem Renaissance period, 1461 S Street, Washington D.C., the home of Georgia Douglas Johnson (1877-1966), represented an important hub of creativity and community for African American women writers. ‘Saturday… Continue reading
This article is adapted from the keynote presentation given at BAAS Postgraduate Symposium, 4th December 2021. The ‘Black Girl Magic’ movement is an opportunity both to celebrate what is means to be a Black woman and also challenge the oppressional practices and contemporary issues that affect them and their community…. Continue reading
Among all the necessary and welcome debates around identity in contemporary culture, few have been more pronounced in theatre and film than that of who should be cast to play characters of marginalised identities. From gender identity and religious beliefs to nationality and disability, this issue is occurring with increasing… Continue reading
Play to film adaptations have fallen in prestige and numbers in recent years, and one of the main reasons for this is the decline in popularity of plays that can be adapted. For example, A Streetcar Named Desire was the 5th highest grossing film of 1951[i] while Fences was the… Continue reading
On September 6th 1936, The New York Times went to print with an article entitled: “Odets, Where is Thy Sting?”[i] Reflecting on the recent reception of Clifford Odets’s The General Died at Dawn (1936), Frank Nugent described the enthusiasm of the audiences who had come to see the Broadway playwright’s… Continue reading
The adaptation of plays into films has been a core part of Hollywood’s output in the 95 years since the introduction of sound into cinema. In this time a huge number of the cinema’s finest and best-regarded works have begun life on the stage, Broadway or otherwise. Despite this… Continue reading
This article is adapted from a presentation given at BAAS Postgraduate Symposium, 4th December 2021. In December 2021, I was delighted to have the opportunity to present a paper on my ongoing PhD research at the BAAS Postgraduate Symposium. Sitting at an intersection of ethnomusicology, American studies, and the sociology… Continue reading