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Glen Whitcroft

Glen Whitcroft is a current PhD student at Northumbria University, working under the supervision of Professor Brian Ward. His research interests are rooted generally in African American music, with emphasis on its social and political impact. Following on from research conducted with Catherine Clinton at Queen’s University Belfast, his PhD research topic is entitled ‘We Shall Overcome: Music, Protest, and the Quest for Civil Rights in the United States and Northern Ireland, 1955-1975.’

‘Is It Because I’m Black?’: The Music Industry, Image, and Politics in the Careers of Syl and Syleena Johnson

Throughout June 2016, U.S. Studies Online will be publishing a series of posts to mark African American Music Appreciation Month. In the fifth and final post, Glen Whitcroft compares the similarities between Syl Johnson and Syleena Johnson’s music and careers. Looking back over my false dreams that I once knew, Wondering why my dreams never came true, Somebody tell me, what can I do? Something is holding me back,         Is it because I’m black? [1] In the aftermath of an intense decade of civil rights struggles, Syl Johnson, a blues singer and musician, released the anthemic and reflective “Is It Because I’m Black?” in 1969. Four decades later, his daughter, R&B singer-songwriter Syleena Johnson, recorded the song for her 2008 album Chapter 4: Labor Pains. The career trajectories of Syl and Syleena, although decades apart, followed a similar path of music industry politics, broken promises, and soured relationships. […]


“Money, That’s What I Want”: Who Benefitted from the Crossover of African American Musicians in the 1960s?

Throughout the twentieth century, the American music industry was plagued by issues of race, segregation and inequality; much like America itself. As the century progressed, music became a significant indicator of race relations and a willingness within much of the United States to racially integrate. This is exemplified through the growing ability for African American musicians to crossover to mainstream audiences. Scholar, Phillip Harper defines the term ‘crossover’ as an act’s achievement of commercial success due to its appeal across racial boundaries


The Transatlantic Impact of civil rights anthem “We Shall Overcome”

“We Shall Overcome” bridges the civil rights movements in the United States and Northern Ireland, says Glen Whitcroft, but does this overlook the diversity in Northern Ireland protest history?


R&B entertainers didn’t take too long to get involved in the civil rights movement

Glen Whitcroft re-evaluates the financial and musical legacy of some of America’s most beloved and commercially successful African American entertainers, such as James Brown, Aretha Franklin, and Nina Simone.


60 Seconds With Glen Whitcroft

If you could time-travel to observe one moment in the history of America, where would you go?

“I’d probably travel back to 9 April, 1939 and stand with the 75,000 people that gathered to see Marian Anderson perform a concert on the steps of the Lincoln Memorial in Washington, DC. It’s an often overlooked moment in civil rights history, but definitely a very significant one!”


Book Review: Hidden in the Mix – The African American Presence in Country Music by Diane Pecknold

“Hidden in the Mix is an enjoyable, enlightening and captivating read that finally gives recognition to the African American presence within one of the most successful music genres in the world.”