CFP: Station Eleven and Twenty-First Century Writing
Since its publication in 2014, Canadian author Emily St John Mandel’s Station Eleven has attracted enthusiastic critical responses. This post-apocalyptic novel won an Arthur C. Clarke Award for Science Fiction in 2015 and was shortlisted for many other awards, including the National Book Award, the PEN/Faulkner Award, and the Bailey’s Women’s Prize for Fiction. In this OLH Special Collection, we seek to explore Station Eleven’s position within twenty-first-century writing. Station Eleven intersects with various debates in contemporary literary studies, opening up questions about genre, politics, national literary traditions, literary form and intermediality, popular culture and prize culture. The novel partakes in what James Berger describes as the “pervasive post-apocalyptic sensibility in recent American culture”. This sensibility is no longer the sole province of science fiction, as canonical literary authors like Cormac McCarthy and Jim Crace have written novels imagining post-catastrophic futures. Indeed Veronica Hollinger speaks of the “'disappearance’ of science […]