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British Association for American Studies

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Thomas Cornelius

Tom Cornelius is a PhD candidate in the History of Art at UCL. His project takes the photographer Stephen ShoreÕs oeuvre as a framework through which to rethink canonical histories of American landscape photography. TomÕs PhD is funded by the UCL Critical Histories of Art Studentship. He holds an MPhil from the University of Cambridge and a BA in American Studies from the University of Manchester. He has also worked for several years in galleries and museums, most recently Tate and the Founding Museum in London.

Greetings from Amarillo: Stephen Shore’s postcard play

This article is part of the USSO special series Resilience/Renewal: Shifting Landscapes in American Studies Greetings from Amarillo – “Tall in Texas” (1971) is a set of ten 3½x5½-inch postcards made by the American photographer Stephen Shore. Each card shows a landscape image of Amarillo’s built spaces: the sunned faces of public buildings, yawning intersections with motorists passing through. A saturated Texas sky crowns the streets and makes the metal frames of the cars glint. Shot using a Leica 35mm camera, the photographs are flattened by a grainy, almost thick, technicolour, which renders space as untraversable patterns of block and line. On the plain, off-white verso, information has been given and withheld. Sparse text includes Shore’s name, a box with the words ‘PLACE STAMP HERE’ stacked inside it, and details of the printing company, ‘Dexter Press, Inc’. But the postcards identify their unusual subjects with only their street addresses. Why […]