Queer Subjects and the Contemporary United States (University of East Anglia)

CALL FOR PAPERS (extended deadline) “Before and after Beat exploded: Essential studies on ruth weiss.” ruth weiss has worked for almost seven decades – and at 88 continues to work – with a plurality of artistic forms: she has authored around twenty poetry books, performed and recorded Jazz & Poetry, written more than ten plays, exhibited her water-color haiku paintings, acted in films and even written and directed one. As such, weiss embodies the artistic confluence of the 1950s and 1960s bohemia, breaking down, as Randy Roark writes, “the barriers between word, film, song, painting, and theatre”. Despite her extensive poetry career and very active participation in the West Coast buzzing artistic community since the early 1950s, weiss has remained an essentially overlooked figure in poetry history. This neglect might be representative – or shall we say a consequence – of the overshadowing of female artists within the Beat Generation […]

Society for the History of Women in the Americas Annual Conference Thursday 6th July 2017 The Oxford Research Centre in the Humanities The Society for the History of Women in the Americas (SHAW) welcomes proposals for its tenth annual conference, co-organised with The Oxford Research Centre in the Humanities and the Rothermere American Institute. We invite 250 word abstracts for 20-minute presentations on any topic, geographical period, chronological time, or theme related to the history of women in the Americas. We also welcome comparative papers between two countries in the Americas or one in the Americas and a country outside the region. The conference welcomes papers from scholars at any stage of their career, especially graduate students. Diana Paton, the William Robertson Professor of History at the University of Edinburgh, will deliver the keynote lecture. Please submit abstracts along with a 100-word biography to shawconference2017@gmail.com by the 10th April 2017. […]

The musical Hamilton, which opened on Broadway in August 2015 after a successful run at the Public Theater, has, in just a few years, become an awards powerhouse, a political lightning rod, and a cultural touchstone. Lin-Manual Miranda’s epic work, based on Ron Chernow’s sweeping biography of Alexander Hamilton, stands at the intersection where history and historical accuracy converge, where rap and showtunes merge, and where pop culture and high (or middlebrow) culture meet. Hamilton is simultaneously a groundbreaking musical theater experiment and an heir to the musical’s historical legacy, and it is in this divided, even contradictory role, that the musical finds its success. Musicologist Paul Laird (University of Kansas, kuvillancico@gmail.com) and theater scholar Mary Jo Lodge (Lafayette College, lodge@lafayette.edu) invite scholars from a wide range of disciplines to create essays about Hamilton for a proposed forthcoming edited collection with publication interest from Oxford University Press. For this scholarly volume, they seek chapters of 5000-6000 words that […]