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CFP: Remembering Annie Hall (University of Sheffield)

UCL US Studies Event: The 2016 Presidential Election: a Post-mortem

UCL Darwin B40 Lecture Theatre Gower Street (entrance is via Malet Place), London, United Kingdom

15 November 2016, 1:15pm-2:00pm, UCL Darwin Lecture Theatre, Malet Place THE 2016 US PRESIDENTIAL ELECTION: A POST-MORTEM Nick Witham will provide an accessible overview of the controversial 2016 US presidential election campaign as a part of the UCL Lunch Hour Lectures series. More information.

Cambridge American History Seminar: ‘Between Neighborhoods’

Cambridge American History Seminar For further details, pre-circulated papers and other seminars see the CAHS webpage. Thursday 17 November (Room TBC): Seth Fein, Historian and Filmmaker, Seven Local Film Film Screening: Between Neighborhoods Seth Fein’s new film is a history of Queens (New York City) as a transnational hub for people and commerce from the 1964 New York World’s Fair until today.

UCL US Studies Event: The 2016 Presidential Election: A Roundtable

UCL-Institute of the Americas 51 Gordon Square, London, United Kingdom

17 November 2016, 5:30pm-7:00pm THE 2016 PRESIDENTIAL ELECTION: A ROUNDTABLE Clodagh Harrington (De Montfort), Tom Packer (Oxford) and Timothy Stanley (The Telegraph) will discuss the results of the 2016 elections with Iwan Morgan. More information.

Cambridge American History Seminar: ‘Throwing Away the Gods’

Cambridge American History Seminar For further details, pre-circulated papers and other seminars see the CAHS webpage. 21 November: Seth Archer, Mellon Fellow in American History, University of Cambridge Throwing Away the Gods: Hawai‘i, 1818-1825 Discussion will be based on a pre-circulated paper

UCL US Studies Event: Film Screening and Discussion – Between Neighborhoods

25 November 2016, 5:30pm-7:30pm, Chadwick Building, B05 Lecture Theatre BETWEEN NEIGHBORHOODS: FILM SCREENING AND DISCUSSION Filmmaker Seth Fein will screen and discuss his new film, Between Neighborhoods, a history of Queens (New York City) as a transnational hub for people and commerce from the 1964 New York World’s Fair until today. More information.

‘My Dream or Yours: Make America _____ Again’ (University College Cork)

My Dream or Yours: Make America ___ Again? University College Cork 26th November, 2016 The Irish Association for American Studies draws together scholars and researchers, new and experienced, on the island of Ireland, to bring fresh perspectives to the field of American Studies. The 2016 IAAS Postgraduate Symposium, “My Dream or Yours: Make America ___ Again?” encourages scholars to question cultural, political and social perspectives of the United States, historically, today, and tomorrow. The concept of American identity is one which has been continuously interrogated since the first colonies were established, and remains a pressing question in all facets of American life today. “My Dream or Yours: Make America ___ Again” is a one-day interdisciplinary symposium that seeks to provide an opportunity for Postgraduate Students and Early Career Scholars to share their ideas and add their individual voices to this melting pot of academic exploration. Contact postgrad@iaas.ie for more information.

CFP: ‘Cold War Geographies’ (Eccles Centre, British Library)

The Eccles Centre for American Studies, The British Library, London Monday 16 January 2017 Cold War Geographies Keynote Speaker: Professor Klaus Dodds, Professor of Geopolitics, Royal Holloway The British Library’s next major exhibition will focus on ‘Maps and the Twentieth Century.’ The Cold War had a seismic impact on global geographies during the second half of the twentieth century. Not only did it physically impact lands from the barren Nevada desert to the jungles of South East Asia, but the ideological conflict of the Cold War also had a significant impact on national borders, global cities and imagined geographies. The legacy of the Cold war on global geographies has had a profound effect upon the way in which nations now think about their place in the world and their relationships with each other. From an American point of view, this has had a particular influence on how the U.S. is […]

Cambridge American History Seminar: ‘Peculiar Institutions’

Cambridge American History Seminar For further details, pre-circulated papers and other seminars see the CAHS webpage. 28 November: Loïc Wacquant, Professor of Sociology, University of California, Berkeley, and 2016-17 Pitt Professor, University of Cambridge Peculiar Institutions: Four Centuries of Race-Making in the United States Discussion will be based on a pre-circulated paper

CFP: Entertainment – Journal of Media and Movie Studies, Vol. 2: Conspiracy Theories in Film, Literature and Social Media

15 years after 9/11 there are many conspiracy theories related to the events that have been discussed in films, literature and social media. However, this is not the only conspiracy theory of such long endurance. Many more, like the Jewish world conspiracy, the survival of Nazi Germany on the dark side of the moon, Area 51, the assassination of John F. Kennedy and many more have led to a large production of films, literature and social media (blogs or vlogs). For the second volume of Entertainment we are interested in papers that analyze these conspiracy theories and in how far they are created, stimulated or re-defined by these media. Articles should range between 5000 and 8000 words and use footnotes (following the latest Chicago Manual of Style). For detailed information on the journal and the submission procedure, check: http://ejournals.epublishing.ekt.gr/index.php/entertainment/about The deadline for an initial proposal (250 words and a short CV) […]

CFP: Historical Fiction in the United States Since 2000 (University of Nottingham)

HISTORICAL FICTION IN THE UNITED STATES SINCE 2000: CONTEMPORARY LITERARY RESPONSES TO THE PAST Call for papers: One-day symposium on 21st-century American historical fiction Date of conference: Saturday 18 March 2017 Location: University of Nottingham, UK Call for papers deadline: 1 December 2016 Historical fiction in English constitutes its own enduring tradition but in recent years, it has enjoyed a surge of critical acclaim and commercial popularity, as such scholars as Kate Mitchell and Nicola Parsons have argued. This one-day symposium at the University of Nottingham will explore how recent writers in the United States have engaged with the form. In what sense are American writers reinterpreting the past to produce what Elodie Rousselot has termed “neo-historical fiction”? Which periods are they examining? And why do US writers favor particular historical eras and episodes over others? Potential topics for papers (lasting no longer than 20 minutes) might include, but are […]

Terra Foundation Fellowships at the Smithsonian American Art Museum

These one-year residential fellowships at the Smithsonian American Art Museum, in Washington, DC, support full-time independent and dissertation research by scholars from abroad researching historical American art (circa 1550–1980) or by US scholars, particularly those investigating international contexts for American art. These awards are administered by the Smithsonian American Art Museum. For more information about deadlines, eligibility, application procedures, and funding, please visit the Smithsonian American Art Museum website: http://www.americanart.si.edu/research/opportunity/fellows/terra/

CFP: Historical Fiction in the United States since 2000: Contemporary Responses to the Past (University of Nottingham)

HISTORICAL FICTION IN THE UNITED STATES SINCE 2000: CONTEMPORARY RESPONSES TO THE PAST Call for papers: One-day symposium on 21st-century American historical fiction Date of conference: Saturday 18 March 2017 Location: University of Nottingham, UK Call for papers deadline: 1 December 2016 Historical fiction in English constitutes its own enduring tradition but in recent years, it has enjoyed a surge of critical acclaim and commercial popularity, as such scholars as Kate Mitchell and Nicola Parsons have argued. This one-day symposium at the University of Nottingham will explore how recent writers in the United States have engaged with the form. In what sense are American writers reinterpreting the past to produce what Elodie Rousselot has termed “neo-historical fiction”? Which periods are they examining? And why do US writers favor particular historical eras and episodes over others? Potential topics for papers (lasting no longer than 20 minutes) might include, but are certainly […]