The musical Hamilton, which opened on Broadway in August 2015 after a successful run at the Public Theater, has, in just a few years, become an awards powerhouse, a political lightning rod, and a cultural touchstone. Lin-Manual Miranda’s epic work, based on Ron Chernow’s sweeping biography of Alexander Hamilton, stands at the intersection where history and historical accuracy converge, where rap and showtunes merge, and where pop culture and high (or middlebrow) culture meet. Hamilton is simultaneously a groundbreaking musical theater experiment and an heir to the musical’s historical legacy, and it is in this divided, even contradictory role, that the musical finds its success. Musicologist Paul Laird (University of Kansas, kuvillancico@gmail.com) and theater scholar Mary Jo Lodge (Lafayette College, lodge@lafayette.edu) invite scholars from a wide range of disciplines to create essays about Hamilton for a proposed forthcoming edited collection with publication interest from Oxford University Press. For this scholarly volume, they seek chapters of 5000-6000 words that […]