CFP: Transatlantic Studies Association 17th Annual Conference (University of North Georgia)

HOTCUS Winter Symposium 2018 We are particularly interested in using the symposium to showcase examples of the latest historical research in twentieth century American political history. This includes (but is not limited to): ·         Political ideas and ideologies ·         Social movements and the state ·         Race, class, gender and sexuality ·         Public policy and political development ·         Foreign affairs and diplomacy ·         Political economy, business and capitalism ·         Mass incarceration and the carceral state ·         The environment and environmentalism ·         The state and transnationalism ·         State of the field debates Please send any proposals and one-page CVs to Joe Merton (joe.merton@nottingham.ac.uk), Vivien Miller (vivien.miller@nottingham.ac.uk) and Bevan Sewell (bevan.sewell@nottingham.ac.uk) by Friday 27th October 2017. Further information is available at https://www.nottingham.ac.uk/history/events/2018/hotcus-symposium.aspx.

“Where’s Nora?” Reclaiming the Irish Girl’s Presence in New England literature A panel organized by Cécile Roudeau (Université Paris Diderot) and Stephanie Palmer (Nottingham Trent University) and sponsored by the Mary E. Wilkins Freeman Society for submission to the Transatlantic Women 3: Women of the Green Atlantic Conference at the Royal Irish Academy in Dublin, Ireland, June 21-22, 2018. Taking the title of one of Sarah Orne Jewett’s story as its tagline, this panel starts with a simple constatation: in nineteenth century New England literature, Nora, Bridget, Erin and other Irish girls were an ubiquitous presence. They popped in and out of New England sketches— from Louisa May Alcott’s “Work” (1873) to Elizabeth Stuart Phelps’s “The Tenth of January” (1868) to Sarah Orne Jewett’s “A Little Captive Maid” (1893) or “Elleneen” (1901). And yet, ubiquitous as she is, the Irish girl is also conspicuously absent in major scholarly studies of New England […]

The Journal of Festive Studies, a new peer-reviewed journal published under the auspices of the H-Celebration network, invites submissions for its first issue, scheduled for March 2018. The journal’s stated aim is to draw together all academics who share an interest in festivities, including but not limited to holiday celebrations, family rituals, carnivals, religious feasts, processions and parades, and civic commemorations. The editors in chief -- Dr. Ellen Litwicki, Professor of History at the State University of New York at Fredonia and Dr. Aurélie Godet, Associate Professor of US History at Paris Diderot University -- welcome submissions of original research and analysis from both established and emerging scholars worldwide. Besides traditional academic essays, authors may submit video and photo essays, archival notes, opinion pieces, as well as contributions that incorporate digital media such as visualizations and interactive timelines and maps. Academic essays should be between 6,000 and 12,000 words; other pieces should be between 2,000 and […]

Doing Women's Film and Television History IV: Calling the Shots – Then, Now, and Next May 23 – 25, 2018 University of Southampton, UK Organising team: Shelley Cobb, Linda Ruth Williams, and Natalie Wreyford As researchers of the AHRC-funded project Calling the Shots: Women and Contemporary UK Film Culture 2000-2015 we are proud to host the fourth International Doing Women's Film and Television History conference in association with the Women’s Film and Television History Network – UK/Ireland. The focus for DWFTH-IV is predicated on the idea of the contemporary as an historical formation. The conference will offer a space to think about the interconnectedness of the past, present and future in feminist historiography and theory, as well as across all forms of women’s film culture and film and television production. It will also consider women’s film and television histories and their relationships with the contemporary, framed and read historically, to […]

Edited Collection: Gender, Sexuality and Queer Identities in American Horror Story Editors: Harriet Earle, Sheffield Hallam University, UK Jessica Clark, University of Suffolk, UK This call for papers seeks submissions that engage with the television series American Horror Story (produced by Ryan Murphy and Brad Falchuk) as part of an edited collection on the theme of gender, sexuality and queer identity. Over seven seasons (so far), American Horror Story has received massive popular and academic interest for its bold and often apposite reworkings of a wide range of cultural tropes and folk stories, set against uniquely American backgrounds and played out through a distinct cast of characters. The series has included many nuanced – and also problematic – representations of sexuality and queer identities, as well as brought into question culturally entrenched issues of heteronormativity and mononormativity. Papers should be between 7000-8000 words and the deadline for final submission is 31stJanuary 2018. Papers should be […]