The Paranoid Style Revisited: Postwar American Cultural Politics and The Argosy Magazine (John Rylands Library, Manchester)

Theatre Annual: A Journal of Theatre and Performance of the Americas  Call for Articles: 2018 Issue - The American Theatre and Drama Society www.atds.org Theatre Annual is the oldest theatre periodical continuously published in the United States. It is dedicated to examining theatre and performance of the Americas. We construe “America” broadly to include North, Central, and South America and the Caribbean Islands. Articles may treat work in these geographic areas or work from these areas that is presented elsewhere in the world. We welcome articles on the history and ethnography of performance, drawing from such areas as theatre studies, performance studies, popular culture, music, anthropology, communication, dance, philosophy, folklore, history, and areas of interest that cross disciplinary lines. For the 2018 issue, we invite articles on the topic of Theatre of Protest/Theatre of Revolt. We are interested in essays that examine theatre productions and performances from/in the Americas that seek to intervene […]

Arizona Quarterly: A Journal of American Literature, Culture, and Theory Special Issue: Medical Women in 19th-Century American Literature This special issue of Arizona Quarterly seeks essays that engage with literature containing medical women or women in the sciences in 19th-century America. In the midst of a controversy between William Lloyd Garrison and the Gynecological Society of Boston, the Society referred to women physicians, or “skirted practitioners,” as a “third sex,” as inhabiting a space somehow between or outside the male/female gender binary. Despite the Gynecological Society’s intent at harm, their claim can be reinterpreted as a description of the way 19th-century women in the sciences transgress gender binaries by inhabiting a queer, third, liminal space—a space that resists restrictive categorizations. These are women who transgress the boundary between the private and the public, between the female space and the male dominated one. Perhaps a way to reinterpret the Gynecological Society’s […]

Call for Papers: Women and New Hollywood Maynooth University, Ireland 29-30 May 2018     Recent decades have witnessed no shortage of critical or academic writing on the industrial upheaval and creative innovations of New Hollywood (1967-80). But as scholarship has shaped the era, it has done so around a very narrow set of concerns, the overriding one casting New Hollywood as an era of great directors, which, by default, has meant an era of “great men.” Such a vision relies on the kind of identification of creativity with masculinity that Geneviève Sellier has discussed in relation to the French New Wave, and its construction has required a marginalisation, erasure even, of the creative labour of countless women practitioners.      In reality, the late ‘60s and ‘70s saw women begin to re-enter Hollywood production in numbers never before seen. While achieving nothing close to real parity, women nevertheless wrote, edited, […]

Call For Papers Media, War and Conflict Journal 10th Anniversary Conference Spaces of War, War of Spaces May 22nd-23rd 2018 Media, War & Conflict Journal’s tenth anniversary conference will be held on 22-23 May 2018at Accademia Europea Di Firenze, Florence, Italy. Deadline for abstracts: 10th January 2018 Keynote: Professor Andrew Hoskins: MWC Founding Editor and Interdisciplinary Research Professor, University of Glasgow Film Screening: ‘The Faces We Lost’ Film Screening with Q&A with Director and Scholar Piotr Cieplak, University of Sussex  Editor’s Special All Women Plenary on Women, Conflict and Journalism: Organised by MWC editors Sarah Maltby, Ben O’Loughlin, Katy Parry and Laura Roselle. Details to be confirmed. The journal was born in the midst of a global war on terror that locked down time and space such that all conflicts seemed to become part of a single campaign. Since then there have been significant transformations in the way war and conflict is produced, enacted, negotiated, remembered and ‘felt’ in, through and with […]

CFP: William Birch and the Complexities of American Visual Culture: A Symposium Celebrating the Tenth Anniversary of the Visual Culture Program at the Library Company of Philadelphia Library Company of Philadelphia, Philadelphia, Pa., October 5, 2018 “This country is new and flourishing. The mechanical arts are at their highest pitch, but the fine arts are of another complexion. They are the last polish of a refined nation… From an insignificant conceit of merit we have generally no knowledge of or feeling for, our imitations of nature, however beautiful, are mechanical altogether. But may be considered as the first lesson necessary for the fine arts... I do not profess myself a member of the fine arts; I am a copyist only, but from my knowledge of them have been allowed judgment and taste, which is competent to give me a relish for them …” --William Birch In celebration of the tenth anniversary […]

‘Foreign Bodies and Native Sons’   The Annual Conference of the Irish Association for American Studies April 27-28, 2018 University College Dublin Call for Papers Although the relationship between the ‘native’ and the ‘foreign’ has been a longstanding, evolving site of contention in American cultural history, the Trump presidency has brought both terms (and their histories) to a new level of exposure and debate. The assumptions about ‘foreign bodies’ that fuelled the recent election and its aftermath—from the ‘wall’ to the travel ban— invite sustained analysis, especially in relation to the construction of a seemingly antithetical body of ‘native sons’ that invokes superficial concepts of white working-class masculinity. The divisions and fault lines such constructions facilitate within the American ‘body politic’, in relation to race, ethnicity, sex-gender, class and sexuality, inform debate about contemporary American culture and form the basis of the conference. Although drawing on contemporary formulations of both […]