Straight to the Front Row: Investigating Contemporary Western Gay Male Cinema (University of Northampton)

Conference of the Journal of Languages, Texts and Society Call for Papers: DEADLINE EXTENDED DUE TO STRIKE ACTION (3rd April) Thursday 14th and Friday 15th June 2018, University of Nottingham Keynote Speakers: Geraldine Horan (UCL) and Islam Issa (BCU) This conference, aimed at Postgraduate and Early Career Researchers and organised by the University of Nottingham’s Journal of Language, Texts and Society, seeks papers and posters on a wide range of topics related to the journal’s core themes. There will also be the opportunity to publish conference papers as articles in a special edition of the journal. We welcome abstracts of up to 250 words and biographies of up to 50 words for conference papers of no more than 20 minutes or A2 posters related to the topic of the conference. The topics of interest include, but are not limited to: Literary interventions: studying the ways in which literary texts intervene […]

Hollywood and the Production Code: Criticism and History. Friday, 6th July 2018: A one-day symposium held at King’s College London devoted to the style-based investigation of the influence of the Production Code on Hollywood cinema. The symposium will take in a range of issues concerning the impact of the Code on “golden age” Hollywood filmmaking. Part of the symposium will also be devoted to a close consideration of the style of “pre-Code” filmmaking (generally understood as 1930-1934). There is currently a strong consensus, grounded in the detailed archival work of major film historians, that 30-34 was not, after all, “pre” the Code but was a period in which the Code played an important role in shaping the content of movie fictions. Yet film festivals and TV channels (TCM, for example) continue to find an audience for early-30s productions by signalling, via the “pre-Code” moniker, their tonal, narrative and moral distinctiveness. Prior […]

Society for the History of Women in the Americas Annual Conference Friday 6th July 2018 The Women’s Library, London School of Economics The Society for the History of Women in the Americas (SHAW) welcomes proposals for its annual conference, co-organised with The Women’s Library at the London School of Economics. We invite 250 word abstracts for 20-minute presentations on any topic, geographical period, chronological time, or theme related to the history of women in the Americas. We also welcome comparative papers between two countries in the Americas or one in the Americas and a country outside the region. The conference welcomes papers from scholars at any stage of their career, especially graduate students. The keynote lecture will be delivered by Dr Kate Dossett (University of Leeds). Please submit abstracts along with a 100-word biography to shawsociety@gmail.com by the 5th April 2018. Papers chosen for the conference may be selected for […]

CALL FOR PAPERS Royal Holloway, University of London In association with The British Association for American Studies (BAAS) and the United States Embassy, London   Faulkner Studies in the UK: A Colloquium   Senate House, London. May 31st, 2018.   KEYNOTE SPEAKER: Professor Tim Armstrong, Royal Holloway, University of London (Author of The Logic of Slavery: Debt, Technology, and Pain in American Literature )   This colloquium is the first of a series of events intended to found a Faulkner Studies in the UK Research Network, hosted by the Department of English at Royal Holloway, and in association with the British Association for American Studies (BAAS) and the US Embassy, London. The Network serves as a key counterpoint to the abundant focus on American modernist author William Faulkner in the United States; it formalises an upsurge in critical material on Faulkner and the growing interest in Southern Studies in recent […]

Deadline for submissions: April 13, 2018 Full name / name of organization: De Montfort University Contact email: cath.postgrad@gmail.com Call for Papers ‘It Is True, We Shall Be Monsters’: New Perspectives on Horror, Science Fiction and the Monstrous Onscreen. Wednesday 13th of June 2018 Postgraduate Conference Cinema and Television History (CATH) Research Centre, De Montfort University, Leicester. Confirmed Keynote Speakers: Dr Laura Mee and Dr Johnny Walker The Cinema and Television History (CATH) Research Centre, De Montfort University, invites postgraduates and early career researchers to its seventh annual postgraduate conference. 2018 marks the 200-year anniversary of Mary Shelley’s seminal novel Frankenstein, sojoin us in celebrating all things monstrous as we re-consider, interrogate and offer new approaches to the genres of Horror and Science-Fiction on screen. In light of the recent burgeoning of these genres in mainstream film and television, such as the Duffer Brother’s Netflix series Stranger Things (2016-), Charlie Brooker’s Black […]

CONTENT STINKS!: THE FORMS, MATERIALS, AND INSTITUTIONS OF AMERICAN PERIODICALS   A one day symposium of the Network of American Periodical Studies University of Nottingham – Friday 21st September 2018   “Context stinks! It’s a way of stopping the description when you are too tired or lazy to go on,” Bruno Latour declares in Reassembling the Social (2005), a consciously polemical effort to counter the fixity of prevailing socio-political models of interpretation with the processual fluidity enabled by actor-network theory. Taken up as a mantra by various literary critics concerned with overturning the tendency to critique texts as ideological objects, the idea that “context stinks” particularly underpins a constellation of recent approaches to literature that take “description” as their guide, whether through a renewed attention to aesthetics, close reading, or genre.   Although primarily concerned to date with the traditional literary foci of novels, poems and plays, the rejection of […]

The second call for proposals of USAbroad – Journal of American History and Politics, is now available at the following address: https://usabroad.unibo.it/announcement/view/278 For the year 2018, USAbroad invites potential contributors—from Italy, Europe, and around the world—to submit proposals that discuss the idea of “Rewinding Global America: Nationalism and Contested Power. The second issue of USAbroad aims to reassess and discuss the composite meaning of American nationalism from the early republic to contemporary developments, by looking at its historical making and re-making, often achieved through exclusionary processes that shifted the boundaries of citizenship and belonging. We particularly encourage proposals from Italian PhD students as well as early-career scholars. Applicants are asked to submit an abstract of approximately 500 words, along with a résumé including their main publications, by April 22. Please send your proposal by email to: usabroad@unibo.it By May 6, applicants will be notified about the status of the submission. Please note that […]

Thursday 27 and Friday 28 September 2018 International conference Université Jean Monnet, Saint-Etienne (CELEC) The sixties and the seventies marked a turning-point in the evolution of family. Major sociocultural changes undermined certain patterns of gender roles around which traditional families, and the American society at large, were organized. When the Food and Drug Administration approved the first oral contraceptive back in 1960 and the Supreme Court ruled in favor of legal abortion in 1973 (Roe v. Wade), women were given the right to break free from the normative gendered imperatives of the traditional family. Because the cult of domesticity gradually declined, and the crisis imposed the necessity to move from single-income to dual-income families, an unprecedented number of women – wives and mothers included – joined the workforce in the seventies. This shift in social values combined with new legal developments in family law (California for instance adopted the no-fault […]

Hollywood and the Production Code: Criticism and History. Friday, 6th July 2018 @ King’s College London. (Symposium speaker and respondent: Professor Lea Jacobs, University of Wisconsin-Madison.) A one-day symposium devoted to the style-based investigation of the influence of the Production Code on Hollywood cinema. The symposium will take in a range of issues concerning the impact of the Code on “golden age” Hollywood filmmaking. Part of the symposium will also be devoted to a close consideration of the style of “pre-Code” filmmaking (generally understood as 1930-1934). There is currently a strong consensus, grounded in the detailed archival work of major film historians, that 30-34 was not, after all, “pre” the Code but was a period in which the Code played an important role in shaping the content of movie fictions. Yet film festivals and TV channels (TCM, for example) continue to find an audience for early-30s productions by signalling, via […]