Disavowal of the Innocent: ‘Sally the Sleuth’ and the Survivor Narrative
For comic scholars who recognize this quote, it might elicit a reluctant smile and almost certainly an exasperated sigh. For those unfamiliar, it is the dialogue from a single panel reproduced in Frederic Wertham’s exposé on the dangers of comics, Seduction of the Innocent. An unsuspecting milkman discovers a woman’s corpse seductively prone on her front lawn. A trickle of blood from her temple and her torn and disheveled dress lead Wertham to the simple caption, ‘A girl raped and murdered’. To Wertham, this out-of-context image was indicative of the glamorization of sex and violence in 1950s comics. He believed comics both provided a ‘blueprint’ for juvenile delinquency and conditioned children to yearn for the thrill of a life of crime. While we may have progressed beyond his xenophobia towards the medium, we may be inadvertently repeating his mistakes.