Broadway, Hollywood, and the Problem with The Prom

Among all the necessary and welcome debates around identity in contemporary culture, few have been more pronounced in theatre and film than that of who should be cast to play characters of marginalised identities. From gender identity and religious beliefs to nationality and disability, this issue is occurring with increasing… Continue reading

Mending Fences: The Broken Bond between Theatre and Film

Play to film adaptations have fallen in prestige and numbers in recent years, and one of the main reasons for this is the decline in popularity of plays that can be adapted. For example, A Streetcar Named Desire was the 5th highest grossing film of 1951[i] while Fences was the… Continue reading

Drama and Cinematic Adaptation: USSO Special Series

  The adaptation of plays into films has been a core part of Hollywood’s output in the 95 years since the introduction of sound into cinema. In this time a huge number of the cinema’s finest and best-regarded works have begun life on the stage, Broadway or otherwise. Despite this… Continue reading

Hollywood in the Age of Trump: USSO Special Series

  Questions remain over whether former President Donald Trump will fade away or return, Grover Cleveland style, for another election cycle in 2024. Trump’s single term in office was memorable for its quality of sensory overload and contribution to a culture of partisan desensitisation in the Republican Party. The relationship… Continue reading