‘Unbelievable Originality’: Lining Tracks and Performativity in Zora Neale Hurston’s Folk Concerts

It is nearly a century since Zora Neale Hurston wrote Barracoon, an ethnography of Cudjo Lewis, the Alabama man believed to be the last living African enslaved in the United States. On May 8 Lewis’ story became widely available to the public for the first time. To mark this historic occasion, and to commemorate the life and works of Zora Neale Hurston – a central figure of the Harlem Renaissance, African-American folklorist and ethnographer, and one of the most significant women writers of the twentieth century – USSO has commissioned a series of articles on any aspect of Hurston’s life, her art, her anthropology. This article is the first in the series. Continue reading

Review: BAAS PG Conference 2017 – Post-Truth and American Myths (Day One)

University of Essex

Rounding off 2017 (the year of ‘fake news’ and ‘alternative facts’), this year’s British Association for American Studies postgraduate conference was a timely, enlightening scholarly event, centred on concepts of ‘truth’, myth-making, and cultural fact and fiction in American society. Continue reading