Among all the necessary and welcome debates around identity in contemporary culture, few have been more pronounced in theatre and film than that of who should be cast to play characters of marginalised identities. From gender identity and religious beliefs to nationality and disability, this issue is occurring with increasing… Continue reading
Play to film adaptations have fallen in prestige and numbers in recent years, and one of the main reasons for this is the decline in popularity of plays that can be adapted. For example, A Streetcar Named Desire was the 5th highest grossing film of 1951[i] while Fences was the… Continue reading
On September 6th 1936, The New York Times went to print with an article entitled: “Odets, Where is Thy Sting?”[i] Reflecting on the recent reception of Clifford Odets’s The General Died at Dawn (1936), Frank Nugent described the enthusiasm of the audiences who had come to see the Broadway playwright’s… Continue reading
The adaptation of plays into films has been a core part of Hollywood’s output in the 95 years since the introduction of sound into cinema. In this time a huge number of the cinema’s finest and best-regarded works have begun life on the stage, Broadway or otherwise. Despite this… Continue reading
Paul Ibell’s Tennessee Williams, part of Reaktion’s Critical Lives strand, provides a thorough, well-balanced overview of Williams’s life; it is a solid, well-considered addition to the biographical materials available on its subject, one of the foremost contributors to the American theatrical canon. Spanning just over 180 pages, Ibell explores three central aspects of Williams’s life-story: his tumultuous familial upbringing; the centrality of homosexuality and gender dynamics to his work; and the sharp, irreversible decline he experienced from the mid-1960s through to his death in the early-1980s, a decline punctuated by his fraught, painful relationship with his critics. Continue reading