Gatekeeping Country: An Ethnographic Study of Female Country Music Performers in the 21st Century

This article is adapted from a presentation given at BAAS Postgraduate Symposium, 4th December 2021. In December 2021, I was delighted to have the opportunity to present a paper on my ongoing PhD research at the BAAS Postgraduate Symposium. Sitting at an intersection of ethnomusicology, American studies, and the sociology… Continue reading

‘Now You’re The Only One For Me Jolene’: Queer Reading and Forging Community in Country Music

When Nadine Hubbs wrote an additional verse to Dolly Parton’s ‘Jolene’ with the lyric: ‘It’s true that my man found you first / You awakened such a thirst / Now you’re the only one for me, Jolene’, the song’s homoerotic and queer subtext became explicit. [i] This was one example… Continue reading