UCL Americas Research Network 2024 Conference – Historical Roots, Modern Realities: Nationalism Across the Americas

Expressions of Interest & Call for Papers: Sex and Celebrity PGR Workshop Thursday 28th June 2018, University of Portsmouth   Keynote Speaker: Professor John Mercer, Birmingham City University     This one-day PGR Workshop seeks to interrogate the relationship between sex and celebrity – the role of sex in the construction, negotiation and perpetuation of celebrity identity. As well as academic papers and roundtable discussion, this event will also include PGR professionalization sessions.   This free PGR workshop asks how sex and sexuality form, create and change our relationship to celebrity: how do sex and celebrity intersect? What roles do sex stories, exposés and scandals have in the formation and/or devaluing of celebrity? Is desire an inherent part of celebrity culture? How do attitudes to sex and celebrity change across time, cultures and societies? What role does the media play in forging links between sex and celebrity? How do film and […]

Let the Sun Shine In: American Theatre, Protest and Censorship An international conference co-sponsored by the American Theatre & Drama Society and the Eccles Centre for American Studies http://www.atds.org/ https://www.bl.uk/eccles-centre October 26-27, 2018 British Library, London (UK) Keynote speakers: Prof. Ramón Espejo Romero, Universidad de Sevilla (Spain) Dr. Marlis Schweitzer, York University (Canada) In 1968, the American musical Hair opened on Broadway, in London's West End, and in Munich, West Germany. Hailed by many for capturing the zeitgeist of the late 1960s, Hair also reflected changes in the writing and production of American theatre. Produced Off-Broadway at the Public Theater, it emerged from experimental theatre practice to achieve commercial success on Broadway and internationally. Staging contemporary protest and dissent, the musical was censored on tour in Boston but became the first production to open after the Theatres Act ended both censorship in British theatre and the power of the Lord Chamberlain. This conference investigates American theatre, […]