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UCL Americas Research Network 2024 Conference – Historical Roots, Modern Realities: Nationalism Across the Americas

All Day

CfP: Scholar-Activism in the Twenty-first Century (British Library)

Scholar-Activism in the Twenty-first Century British Library, London, 22-23 June 2018  The topic of scholar-activism has seen a recent resurgence in our contemporary political moment. To explore this topic, a transatlantic, scholar-activist conference will be held at the British Library on Friday June 22 and Saturday June 23. The conference will put scholars into conversation with activists to discuss how scholars and activists can work together, put recent social movements such as The Black Lives Matter Movement into scholarly and historical perspective, and highlight some ways in which scholars and activists in the US and UK are currently working together and engaging in efforts for social justice. The keynote speaker for the conference will be Professor Keeanga-Yamahtta Taylor, who will speak on “The Black Lives Matter movement in the Age of Trump.” Professor Heather Thompson, the winner of the 2017 Pulitzer prize, will also speak at the conference. We welcome […]

CFP: Creating Comics, Creative Comics Symposium (University of South Wales, Cardiff)

Creating Comics, Creative Comics Please Note: the deadline for this CFP has been extended until 25nd April 2018. University of South Wales: Cardiff (Friday 01.06.2018) USW Cardiff: Comics Symposium 2018, Call For Papers Key Note from Dr. Julia Round, Bournemouth University: ‘Anonymous Authors, Invisible Illustrators, and Collaborative Creation: Misty and British Girls’ Comics’ The First USW Cardiff: Comics Symposium is interested in creator’s perspectives. It will explore comics and creativity and papers are invited which examine the practice of creating comics, and the particulars of storytelling in comics. Does changing a panel, change the story? How might a medium’s materiality affect its construction and reception? Pudovkin stated that “In order to write a scenario suitable for filming, one must know the methods by which the spectator can be influenced from the screen.” (Pudovkin, 1949, p. 1), and referring to adaption Weaver suggests this is, “the act of translating a story […]