Lizzy is a third year PhD student, studying William S. Burroughs at Keele University. Her research considers Burroughs' 'cut-up project' as an example of poetic and scientific experimentation. She is also interested in how science fiction challenges the Canon, and why it is important to do so.

Book Review: Burroughs Unbound: William S. Burroughs and the Performance of Writing edited by S. E. Gontarski

Burroughs Unbound is a collection of essays which explores recent interdisciplinary research on the twentieth-century US author William S. Burroughs. The main issues of the book concentrate on the performative aspects of Burroughs’ experiments on literature, particularly through what he, and collaborator Brion Gysin, called the ‘cut-up project’. The structure of the book somewhat mirrors the cut-up techniques used by the artists by being sliced and divided into three parts, with a series of appendices. The first part deals with ‘Theory’, where postmodernist and poststructuralist notions of control are captured via Derrida, Deleuze and Foucault. The second part, entitled ‘Texts’ is a textual analysis of Burroughs’ writing, from Naked Lunch (1959) to the cut-up texts and beyond. The third part explores Burroughsian ‘Performance’, in which, as the editor, Stanley Gontarski argues in his ‘Atrophied Introduction’, ‘Burroughs was as much a media and performance artist as he was a traditional literary figure’.[1] Continue reading