Katie Barnett is currently a lecturer in Media and Cultural Studies at the University of Worcester. She received her PhD from the University of Birmingham in 2013, and her current research examines paternal constructions of masculinity, focusing particularly on representations of fatherhood in 1990s Hollywood cinema.

Designing a Module, Redux: Or, Why We’re Watching Buffy Again This Year

In High Fidelity, Rob (John Cusack) muses on the art of making a mixtape: “The making of a great compilation tape, like breaking up, is hard to do and takes ages longer than it might seem. You gotta kick off with a killer, to grab attention. Then you got to take it up a notch, but you don’t wanna blow your wad, so then you got to cool it off a notch. There are a lot of rules.” Designing a module is a similar balancing act. Continue reading

60 Seconds With Katie Barnett

“What has been your most memorable career moment so far?”

Probably passing my viva and getting a job on the same day, although I can’t say I remember much about it, other than the celebratory nachos. (There were a lot of nachos.)

Other than that – hosting the BAAS postgraduate conference in 2011. Lots of great people, lots of fascinating research, and a disproportionate amount of time spent worrying about tea urns and chocolate digestives. Continue reading

Father of the Year: Bill Clinton’s Paternal Redemption

“Chelsea was the first child to reside in the White House since Amy Lynn Carter in 1979, allowing for the conscious construction of Clinton as Dad, as well as President. At the Democratic National Convention in 1992, Chelsea was pictured holding her father’s hand, and she stood beside him as he took the Presidential Oath at his inauguration in 1993. More casual photographs of father and daughter surfaced on numerous occasions during the campaign, with Clinton cast in the role of ‘ordinary dad’, white-water rafting and playing mini-golf with his family.” Continue reading