Hannah Huxley is a PhD candidate at the University of Kent. Her thesis focuses on the aesthetics of sound in African American literature and the soundscape of Harlem between 1920-40. Her broader research interests include Twentieth-century American literature, American modernism, sonic modernity, and transatlantic cultural exchange.

‘Unbelievable Originality’: Lining Tracks and Performativity in Zora Neale Hurston’s Folk Concerts

It is nearly a century since Zora Neale Hurston wrote Barracoon, an ethnography of Cudjo Lewis, the Alabama man believed to be the last living African enslaved in the United States. On May 8 Lewis’ story became widely available to the public for the first time. To mark this historic occasion, and to commemorate the life and works of Zora Neale Hurston – a central figure of the Harlem Renaissance, African-American folklorist and ethnographer, and one of the most significant women writers of the twentieth century – USSO has commissioned a series of articles on any aspect of Hurston’s life, her art, her anthropology. This article is the first in the series. Continue reading